Kanaan, Helena, 1961-2017-10-202017-10-202017-03In: Estúdio. - Lisboa, 2010. - Vol. 8 nº17 (jan./mar. 2017), p. 111-118http://hdl.handle.net/10451/29373In the continuity of the narrative that reads and listens to tell, the artist performs merging the own corporeity, soon after, to fix it in the exercise of the photo / graphic pause. Stimulated by temporal extensions of the image in the use of photography and matrix modes of recording and printing, Micaela Trocello’s work proposes an understanding of the feminine in history and in the present day. Captured images, transfers and proliferations. The body, the marks, the insurgencyporTrocello, MicaelaArte contemporânea - EspanhaNarrativasGravuraFotografiaPerformanceCrítica e interpretaçãojournal article