Mendes, Ana Cristina2022-02-152022-02-152022Mendes, AC. 2022. “The Accentual Dialogized Heteroglossia of Shakespeare in India: Utpal Dutt’s Legacy in Shakespeare Wallah and The Last Lear”. Text and Performance Quarterly. 41: 4. 1–17.1046-2937http://hdl.handle.net/10451/51299This article focuses on a key figure of Shakespearean performance in pre- and post-independence India: the Bengali stage and film actor, director, playwright, and theater activist Utpal Dutt (1929–1993). I trace Dutt’s impact from his tours in the aftermath of independence with the Shakespeareana Company and his re-playing of Shakespeare in the Bengali Jatra tradition, through Rituparno Ghosh’s 2007 The Last Lear. This focus on Dutt’s influence is set against the backdrop of the politics of performing-adapting Shakespeare in Indian English accents, considering the accentual dialogized heteroglossia of Shakespearean performance in India after independence from British rule.engShakespeare, WilliamPostcolonial studiesDutt, UtpalPolitical theatreAdaptation studiesIndiaThe accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Learjournal articlehttps://doi.org/10.1080/10462937.2022.2038794