Ortuño, Pedro, 1966-2017-12-132017-12-132017-10In: Estúdio. - Lisboa, 2010. - Vol. 8 nº20 (Out./Dez. 2017), p. 131-140http://hdl.handle.net/10451/29972Starting from street art and the use of the language, this article focuses his analysis in the artistic production of Rogelio López Cuenca. The semiotic discourse of his works, allows you to combine visual poetry criticism of political claim to the icons of public information in Western culture, most of the time, undergoing a rigidity of meanings. Through the appropriation of official signage, are analyzed works where the artist dismantles mechanisms through which power is installed in the icons of the society, transforming the content of their signs. Being, the idea of the art for the citizenship like activity mainly produced within the language, the touchstone of the work of this artistspaLópez Cuenca, Rogelio, 1959-Arte urbanaPoesia visualArte e linguagemCrítica e interpretaçãojournal article