Cunha, Eduardo Figueiredo Vieira da, 1956-2019-05-222019-05-222018-01In: :Estúdio. - Lisboa, 2010. - Vol.9 nº21 (Jan./Mar. 2018), p. 141-148http://hdl.handle.net/10451/38363This article surveys the work of Camila Mello, and his poetry of absence and abandonment in acts of subtraction in the images, creating gaps of estrangement. The text focuses on a work called The House, a film originated from a series of drawings, where the artist seeks a dialogue with Samuel Beckett, and the paradox of Molloy , personage with the same name of the Irish writer’s book: the impossibility of expression, and the extreme urgency to say (do) itporMello, CamilaFotografiaInstalação (Arte)Teoria da arteCrítica e interpretaçãoBrasiljournal article