Maio, Ana Zeferina Ferreira2019-02-122019-02-122015-01In: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 80-87http://hdl.handle.net/10451/36951This paper discusses the artistic pro¬duction of Claudia Paim in the context of her performances in Carta, Amálgamas and Fluox¬etina. It examines how the artist discusses issues such as gender, narrative and memory through conscious and intentional bodily speech, which adopts dispersion as technique perform. There¬fore, we assume that the body that perfoms is a body with open poresporPaim, ClaudiaPerformanceCorpoDispersãoTeoria da arteCriticismojournal article