Silva, Thais Gomes da2018-12-032018-12-032017-07In: Croma. - Lisboa, 2017-. - Vol. 5, nº 10 (Julho/Dezembro 2017), p. 102-108http://hdl.handle.net/10451/35560This paper aims to consider about the relevance of the audiovisual technology appropriation by brazilian indigenous people within the collective Video nas Aldeias, as a way to make stronger the memory of the traditional people, as well as give visibility to the indigenous movement. The art installation “Brasil dos índios: um arquivo aberto”, part of the 32th Bienal of São Paulo assumes a shape that strengthens and reaffirms the native protagonism, as well as takes a position against the exotization of the indigenous picture inside the society of the spectacleporÍndios - BrasilArte vídeoAudiovisuaisInstalação (Arte)IntervençãoCrítica e interpretaçãoBrasilEnsaiosJá me transformei em imagem : apropriações indígenas da tecnologia no coletivo vídeo nas aldeiasAlready became an image : indigenous appropriations of technology in the collective vídeo nas aldeiasjournal article