Cerdera, Fábio2018-10-152018-10-152018-06In: Expressão múltipla : teoria e prática do desenho. - Lisboa, 2017, p. 95-116http://hdl.handle.net/10451/35048This article has preparatory drawings for a wall painting entitled “The Apparition Of The Divine Holy Spirit” as a study. This work of art was realized through the fresco painting process for Nossa Senhora dos Navegantes Church, located in Rio de Janeiro. This painting concerned was elaborated as a conclusion work “Art and The Fresco Technique”(COC/Fiocruz). The intention of this article is to briefly analyze its significance process, developed from the convocation of elements from previous compositional studies. This plastic elementary utterance invocation, tributary from an enunciative praxis (Bertrand, 2000; Fontanille, 2008), resumes not only its own but also other artists’ references, which are guided by a material poetry (Bachelard, 1997) that directly establishes the work of art’s subject contentporIgreja de Nossa Senhora dos Navegantes (Rio de Janeiro, Brasil)Pintura muralFrescosEnsaiosDesenhoPraxis enunciativaEsboçosSemióticabook part