O módulo e a era digital : os gráficos de Marcelo Brantes

Abstract

This paper intends, from the analysis of Marcelo Brantes’s work, to discuss a possible common vector, as a result of the transition of the analogic image to the digital one, identifiable in the production of artists who had their academic formation (or a significant part of it) during the period in which this happened. I conclude that this use of small modules can be considered as a pattern-answer from the artists to the question