Definitely not a snapshot. On Welty’s Helena Arden

Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/10050

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Campo DC	Valor	Idioma
dc.relation.publisherversion	http://www.ulices.org/anglo-saxonica/anglo-saxonica.html	por
dc.contributor.author	Avelar, Mário, 1956-	-
dc.date.accessioned	2014-01-14T12:10:58Z	-
dc.date.available	2014-01-14T12:10:58Z	-
dc.date.issued	2013	-
dc.identifier.citation	Revista Anglo Saxonica, Série III, Nº5. Lisboa: 2013. Pp. 115-124	por
dc.identifier.issn	0873-0628	-
dc.identifier.uri	http://hdl.handle.net/10451/10050	-
dc.description.abstract	This essay considers the photograph Helena Arden as a humoristic exercise that parodies and deconstructs the conventions of the advertising industry in the early 20th century. This self-portrait by Eudora Welty points towards the referential system of consumer society and the role middle-class women play within it. Based on the interaction between image and word and foregrounding the dialogue between sign and beholder, Helena Arden is a political satire of an era, an artistic medium, and of the artist herself.	por
dc.description.sponsorship	Fundação para a Ciência e a Tecnologia	por
dc.language.iso	eng	por
dc.publisher	Centro de Estudos Anglísticos da Universidade de Lisboa	por
dc.rights	openAccess	por
dc.subject	Welty, Eudora, 1909-2001	por
dc.subject	Photography	por
dc.subject	Self-portrait	por
dc.subject	Advertising	por
dc.title	Definitely not a snapshot. On Welty’s Helena Arden	por
dc.type	article	por
dc.peerreviewed	yes	por
Aparece nas colecções:	CEAUL/ULICES - AS - Série III - nº 5

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