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Orientador(es)
Resumo(s)
The objective of this paper is to explore how different artistic practices work to alter the
distribution of the senses, and consequently, the disposition, processes and practices of the
situated surplus of urban places. While it has been acknowledged that artistic performances in
public space generate specific appropriations of the urban environment, the role that specific
sensorial channels play in these events is still underexplored. Drawing upon fieldwork
conducted between 2012 and 2016 in Chiado, our study highlights how dance, music and
architecture stimulate, invoke and highlight specific senses while rendering others unnoticed.
This causes shifts in bodily rhythms, mood and attention to details in urban space. As certain
corporeal isles are enacted through contemplation, the experience and appropriation of urban
space is subject to change. A central tension in this matter is the fluctuation between visual and
sonic spatialities.
Descrição
Palavras-chave
Distribution of the sensible Chiado Emplaced observation Artistic practices Public space, Attention
Contexto Educativo
Citação
Paiva, D., Cachinho, H. (2018). Artistic Practices and the Redistribution of the Sensible in Largo do Chiado: Attention, Corporeal Isles, Visceral Politics. Tijdschrift voor economische en sociale geografie, 109(5), p. 597-612. DOI: 10.1111/tesg.12312.
Editora
Wiley
