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Autores
Orientador(es)
Resumo(s)
We intend to generate a set of intertexts that allow us to interpret a painting and two drawings by Miquel Quílez Bach (1944), works assumed as portraits, through which memories and constructive processes of the pictorial image are evoked, fundamentally from the Renaissance, “theatrical stage” that restores to the portrayed the symbolic and enigmatic density of his experience, seen through the painter’s gaze, intensifying the aesthetic experience that opens to the observer’s imagination
Descrição
Palavras-chave
Bach, Miquel Quílez Pintura Retrato Teatro Simbologia Imaginário Estética eoria da arte Portugal
Contexto Educativo
Citação
In: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 120-129
Editora
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
