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Hacia una introducción selectiva al teatro en Portugal: breve encuadramiento

dc.contributor.authorCoelho, Rui Pina
dc.date.accessioned2018-01-19T11:56:23Z
dc.date.available2018-01-19T11:56:23Z
dc.date.issued2014
dc.description.abstractThis text is divided in two parts. Firstly, I deal with the evolution on Portuguese theatre from the post-second world war period until present day. I’m focusing on the experimentalism of the forties, characterized by an urge for renewal and modernization; the constitution of a highly politicized independent theatre movement, in the seventies; and the plurality of contemporary Portuguese theatre. Secondly, I deal with the alleged inability of Portuguese writers for playwriting, signalling the most significant names of the post Carnation Revolution, on the 25th of April 1974, to present days.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citation“Hacia una introducción selectiva al teatro en Portugal: Breve Encuadramiento”, Pygmalion: Revista de Teatro general y comparado, Instituto del Teatro Complutense, n.6, 2014, pp.9-22pt_PT
dc.identifier.issn2171-3820
dc.identifier.urihttp://hdl.handle.net/10451/30731
dc.language.isospapt_PT
dc.peerreviewedyespt_PT
dc.publisherInstituto del Teatro Complutensept_PT
dc.subjectHistória do teatro - Portugalpt_PT
dc.subjectTeatro experimentalpt_PT
dc.subjectPost-war theatrept_PT
dc.subjectExperimental theatrept_PT
dc.subjectPost-1974 Carnation Revolution portuguese dramaturgypt_PT
dc.subjectContemporary portuguese dramaturgypt_PT
dc.titleHacia una introducción selectiva al teatro en Portugal: breve encuadramientopt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlaceMadridpt_PT
oaire.citation.endPage22pt_PT
oaire.citation.startPage9pt_PT
oaire.citation.titlePygmalion: Revista de Teatro general y comparadopt_PT
oaire.citation.volumeNº 6pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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