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Abstract(s)
Este ensaio apresenta um breve estudo acerca de Tornado (2021), de Teresa Noronha, assente na exploração das identidades individual, coletiva e pós-colonial que podem ser encontradas na obra. Partindo da área dos Estudos de Memória, contemplando conceitos como “trauma”, “memória coletiva”, “contramemória feminina” e “guerras de memória” – que constituirão a base teórica deste trabalho – o objetivo é recontextualizar estas ferramentas conceptuais na esfera além-Holocausto, demonstrando a sua pertinência para o estudo que aqui se propõe. Pretende-se, portanto, oferecer uma leitura crítica, feminista e feminina, que se concentrará na personagem principal do romance de Noronha.
This essay proposes a brief study of Tornado (2021), by Teresa Noronha, focusing on the exploration of individual, collective, and post-colonial identities. The methodological framework will rely on a Memory Studies approach, contemplating concepts such as “trauma”, “collective memory”, “feminine countermemory”, and “memory wars”. We aim to recontextualize these conceptual tools beyond Holocaust studies, demonstrating their pertinence for the research put forth here. As such, we present a critical, feminist, and feminine reading of Noronha’s novel focused on its main character.
This essay proposes a brief study of Tornado (2021), by Teresa Noronha, focusing on the exploration of individual, collective, and post-colonial identities. The methodological framework will rely on a Memory Studies approach, contemplating concepts such as “trauma”, “collective memory”, “feminine countermemory”, and “memory wars”. We aim to recontextualize these conceptual tools beyond Holocaust studies, demonstrating their pertinence for the research put forth here. As such, we present a critical, feminist, and feminine reading of Noronha’s novel focused on its main character.
Description
Keywords
Memória Identidade Género Sexualidade Trauma Memory Identity Gender Sexuality Trauma
Pedagogical Context
Citation
Aires e Castro, A. & Leite, A. M. (2023). “Memória e Identidade em Tornado, de Teresa Noronha”, In: A narrativa moçambicana no século XXI. Caderno Seminal Digital (n.º 45). Dialogarts. DOI http://dx.doi.org/10.12957/seminal.2023.79823
Publisher
Dialogarts