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A obra no gerúndio
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O presente texto parte do estudo das questões introduzidas pela arte processual dos anos 60/70, do século XX, com o intuito de verificar uma performatividade visual que activa um tempo gerúndio contido na obra.
A partir dos conceitos de duração, intuição, imagem e criação de Henri Bergson, articulados com a prática de artistas como Richard Tuttle, Bruce Nauman, Barry Le Va, Joan Jonas, Robert Morris, Karlheinz Stockhausen, John Cage, Max Neuhaus, entre outros, procura-se contextualizar um pensamento crítico que sustenha e estruture o nosso projecto artístico pessoal.
Deste modo tentando responder à seguinte questão:
A natureza da obra processual reconfigura a sua experiência num tempo gerúndio?
The present text begins with questions raised by art as process from the 60’s and the 70’s of the XXth century with the aim of verifying a visual performativity that activates a time gerund in the work. Starting from Henri Bergson’s concepts of duration, intuition, image and creation, articulated with the practice of artists such as Richard Tuttle, Bruce Nauman, Barry Le Va, Joan Jonas, Robert Morris, Karlheinz Stockhausen, John Cage and Max Neuhaus, among others, we will contextualize a critical thought that will sustain and structure our personal artistic project. Thus this study will try to answer the following question: Does the nature of process art reconfigure its experience in a time gerund?
The present text begins with questions raised by art as process from the 60’s and the 70’s of the XXth century with the aim of verifying a visual performativity that activates a time gerund in the work. Starting from Henri Bergson’s concepts of duration, intuition, image and creation, articulated with the practice of artists such as Richard Tuttle, Bruce Nauman, Barry Le Va, Joan Jonas, Robert Morris, Karlheinz Stockhausen, John Cage and Max Neuhaus, among others, we will contextualize a critical thought that will sustain and structure our personal artistic project. Thus this study will try to answer the following question: Does the nature of process art reconfigure its experience in a time gerund?
Descrição
Tese de doutoramento, Belas-Artes (Instalação), Universidade de Lisboa, Faculdade de Belas-Artes, 2014
Palavras-chave
Teses de doutoramento - 2014 Processo criativo Processos cognitivos Futurismo Gerúndio Artes performativas Bergson, Henri, 1859-1941 Morris, Robert, 1910- Stockhausen, Karlheinz Cage, John, 1912-1992 Neuhaus, Max