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Autores
Orientador(es)
Resumo(s)
The article investigates the creative process and the filmic poetics of Fernando Belens. It is intended to observe his aesthetic choices implied in two recurring assertions in his filmography: the body and the politics. For this will be highlighted elements present in his short films reiterated in his first feature film, Pau-Brazil (2009/2014). It is concluded that in the work of Fernando Belens representations of the ways of the body and of politics are legitimating their path
Descrição
Palavras-chave
Belens, Fernando Filmes Corpo Política Estética Teoria da arte
Contexto Educativo
Citação
In: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 83-91
Editora
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
