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Prokofiev’s “Romeo and Juliet” and Socialist Realism: a Case-Study in Intersemiotic Translation

dc.contributor.authorBennett, Karen
dc.date.accessioned2012-04-03T11:00:54Z
dc.date.available2012-04-03T11:00:54Z
dc.date.issued2008
dc.description.abstractThis paper is concerned with Prokofiev’s ballet score, Romeo and Juliet, as an inter-semiotic translation of Shakespeare’s play. My aim is to consider Prokofiev’s distinct interpretation of the play in the light of the political climate of the Soviet Union in the 1930s and to attempt to determine the extent to which it conforms to the norms of Socialist Realism. This is by no means an easy matter, for the composer was at different times lauded by the authorities and vilified by them, while the work itself has been appropriated by both sides of the ideological divide. Nevertheless, close examination of the musical discourse reveals important alterations to Shakespeare’s original concept, shedding some light upon the composer’s own ideology and consequently upon his relationship to the regime under which he lived.por
dc.identifier.citationBennett, Karen. ‘Prokofiev’s “Romeo and Juliet” and Socialist Realism: a Case-Study in Intersemiotic Translation’ in Shakespeare and European Politics, Dirk Delabastita, Josef de Vos, Paul Franssen (Eds), University of Delaware Press, 2008por
dc.identifier.isbn978-0-87413-004-1
dc.identifier.urihttp://hdl.handle.net/10451/5855
dc.language.isoeng
dc.publisherUniversity of Delaware Presspor
dc.subjectRomeo and Julietpor
dc.subjectProkofief, Sergei, 1891-1953por
dc.subjectIntersemiotic translationpor
dc.subjectsocialist realismpor
dc.subjectShakespearepor
dc.titleProkofiev’s “Romeo and Juliet” and Socialist Realism: a Case-Study in Intersemiotic Translationpor
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlaceNewarkpor
oaire.citation.endPage328por
oaire.citation.startPage318por
oaire.citation.titleShakespeare and European Politicspor
rcaap.rightsopenAccesspor
rcaap.typebookPartpor

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