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Arte, ciência e história no livro português do século XVIII
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| Vol 1 | 3.52 MB | Adobe PDF | ||
| Vol 2 | 654.97 MB | Adobe PDF |
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Resumo(s)
Iluminado a um ritmo muito próprio, o século XVIII português edificou-se escorado em memórias escritas, legados de um passado conquistador, mas também dominado, em permanente estado de vigília sobre o vasto território físico e o intelectual. No terreno conquistado aos ditames religiosos suportados pelo poder régio, despontam viços promissores, ecos de novos caminhos trilhados com sucesso no estrangeiro, debuxados nas mentes alumiadas e impressos pela malha tipográfica de uma imprensa em renovação. Pela composição tipográfica disseminam-se as ideias, propagam-se os modernos rumos de uma sociedade e, a par e passo das prementes exigências culturais, surgem novas estéticas compositivas, alargam-se os horizontes da instrução, massificando o conhecimento e tornando-o acessível. Nos principais movimentos de renovação editorial da centúria constrói-se um novo país, aberto à mudança, atento às inovações científicas, disponível para as artes, as que recriam e divulgam a cultura nacional e as que perpetuam as conquistas escritas. Na importação dos progressos tipográficos e das técnicas de gravura, promove-se o advento de uma nova cultura de informação que haveria de evoluir para a publicidade e para os múltiplos caminhos gráficos que se suportam na tipografia e na imagem. No investimento setecentista dedicado à tipografia e à gravura encontra-se o início de uma evolução gráfica que um dia haveria de se libertar do papel. Identificar esses espaços editoriais e respectivas conquistas culturais, científicas e artísticas, foi o caminho que percorremos, testemunhado pelos caracteres que compõem esta tese.
Illuminated in its very own rhythm, the Portuguese eighteenth-century was built anchored in written memories, legacies of a conqueror past, but also dominated, in permanent alertness about the vast physical and intellectual territory. On the conquered ground from the religious dictates supported by the royal power, promising synergies emerge, echoes of new ways followed abroad with success, designed in the illuminated minds and printed by the typographic mesh of a press under renovation. Through typesetting, ideas upsurge, modern directions of a society widespread and, step-by-step from pressing cultural requirements, new aesthetic compositions emerge, horizons of education expand, increasing knowledge and making it accessible. In the main movements of editorial renovation of the century, a new country is raised, open to change, aware of scientific innovations, available for the arts, the ones that recreate and disseminate national culture and those that perpetuate the written achievements. In the importation of typographical progress and engraving techniques, the emergence of a new culture of information is promoted, evolving into advertising and multiple graphics paths that are supported by typography and image. In the eighteenth-century investment dedicated to typography and engraving is the beginning of a graphical development that would one day set free from the paper. Identifying these editorial spaces and their cultural, scientific and artistic achievements was the path we have travelled, witnessed by the characters that make up this thesis.
Illuminated in its very own rhythm, the Portuguese eighteenth-century was built anchored in written memories, legacies of a conqueror past, but also dominated, in permanent alertness about the vast physical and intellectual territory. On the conquered ground from the religious dictates supported by the royal power, promising synergies emerge, echoes of new ways followed abroad with success, designed in the illuminated minds and printed by the typographic mesh of a press under renovation. Through typesetting, ideas upsurge, modern directions of a society widespread and, step-by-step from pressing cultural requirements, new aesthetic compositions emerge, horizons of education expand, increasing knowledge and making it accessible. In the main movements of editorial renovation of the century, a new country is raised, open to change, aware of scientific innovations, available for the arts, the ones that recreate and disseminate national culture and those that perpetuate the written achievements. In the importation of typographical progress and engraving techniques, the emergence of a new culture of information is promoted, evolving into advertising and multiple graphics paths that are supported by typography and image. In the eighteenth-century investment dedicated to typography and engraving is the beginning of a graphical development that would one day set free from the paper. Identifying these editorial spaces and their cultural, scientific and artistic achievements was the path we have travelled, witnessed by the characters that make up this thesis.
Descrição
Tese de doutoramento, Belas-Artes (Ciências da Arte), Universidade de Lisboa, Faculdade de Belas-Artes, 2015
Palavras-chave
Teses de doutoramento - 2015 História do livro Livro antigo Tipografia Gravura Encadernação História da cultura