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Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim

dc.contributor.authorStori, Norberto
dc.date.accessioned2018-01-30T10:41:30Z
dc.date.available2018-01-30T10:41:30Z
dc.date.issued2017-07
dc.description.abstractThis work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with spacept_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 140-147pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/31248
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectOiticica, Hélio, 1937-1980pt_PT
dc.subjectEsculturapt_PT
dc.subjectSite - Specific Artpt_PT
dc.subjectPercepção visualpt_PT
dc.subjectExperimentalismopt_PT
dc.subjectArte contemporâneapt_PT
dc.subjectBrasilpt_PT
dc.titleDiálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotimpt_PT
dc.title.alternativeDialogues on the work of brazilian artist Hélio Oiticica in Instituto Inhotimpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage147pt_PT
oaire.citation.startPage140pt_PT
oaire.citation.titleGamapt_PT
oaire.citation.volumeVol. 5, nº10 (Jul./Dez. 2017)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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