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Empathy in Art and Science: Embodied Cognition and Affect in Film

2025-01Journal article Open access
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dc.contributor.authorCorrêa, Graça P.
dc.date.accessioned2025-07-17T12:13:32Z
dc.date.available2025-07-17T12:13:32Z
dc.date.issued2025-01
dc.description.abstractEmpathy is a major aspect of the interplay between filmmaking and reception. Philosophers and neuroscientists have asserted how film’s technical and conceptual devices seemingly simulate the streamings of consciousness by rendering through images the very processes of thought. More recently, in a noteworthy collaborative work between neuroscience and film theory, Vittorio Gallese and Michele Guerra (2020) have observed how the process of “embodied simulation” is at the basis of empathy, making possible intense and diversified experiences of space, objects and other individuals, and offering an important contribution to the study of how films are experienced and co-created by viewers. Drawing on these arguments from neuroscience, philosophy and film theory, in this paper I explore a renewed relationship between empathy and film aesthetics.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationP. Corrêa, Graça. "Empathy in Art and Science: Embodied Cognition and Affect in Film." Global Philosophy 35.1 (2025): 7-19.pt_PT
dc.identifier.doi10.1007/s10516-024-09736-zpt_PT
dc.identifier.urihttp://hdl.handle.net/10400.5/102196
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherGlobal Philosophy Journal (Springer Nature)pt_PT
dc.relationThis work was financed by national funds through FCT - Fundação para a Ciência e a Tecnologia, I.P., within the scope of the R&D Unit Center for the Philosophy of Sciences/ Centro de Filosofia das Ciências da Universidade de Lisboa (CFCUL), a strategic project references FCT I.P. UIDB/00678/2020 and UIDP/00678/2020, DOI : https://doi.org/10.54499/UIDB/00678/2020 & https://doi.org/10.54499/UIDP/00678/2020.pt_PT
dc.relation.ispartofseries1;
dc.relation.publisherversionhttps://link.springer.com/article/10.1007/s10516-024-09736-zpt_PT
dc.subjectEmbodied simulationpt_PT
dc.subjectEmpathy in aestheticspt_PT
dc.subjectFilm studies and criticismpt_PT
dc.subjectFilm philosophypt_PT
dc.subjectCinematurgypt_PT
dc.titleEmpathy in Art and Science: Embodied Cognition and Affect in Filmpt_PT
dc.title.alternativeEmpatia na Ciência e na Arte: Cognição Corporificada e Afeto no Cinemapt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlaceGermany & Great Britainpt_PT
oaire.citation.endPage19pt_PT
oaire.citation.startPage7pt_PT
oaire.citation.titleGlobal Philosophy Journalpt_PT
oaire.citation.volume35pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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