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A paz, o pão, ..., saúde, educação: a habitação, a grande ausência do Estado social democrático
Publication . Tulumello, Simone; Rossini, Luisa
Generic overlap as a mode of (social) production in Portuguese silent non-fiction film: the case of a Covilhã industrial, pitoresca e seus arredores (1921)
Publication . Sampaio, Sofia
The article offers a contribution to the international debate on nonfiction film genres in the silent period by proposing a historically and socially informed analysis of ‘generic overlap’ in the Portuguese documentary A Covilhã Industrial, Pitoresca e Seus Arredores (1921) [Industrial and Picturesque Covilhã, and Its Outskirts]. Made by Artur Costa de Macedo (1894–1966) for Invicta Film, a short-lived but prolific production company based in the North of Portugal, the film is a composite of different genres, such as the travelogue, the scenic view, the actuality, the industrial process film, and the local film. While in keeping with well-established international film practices, this kind of generic overlap also reflects the specific set of constraints and opportunities that the filmmaker encountered (and, respectively, sought to overcome and take advantage of) when he took on this film commission. Local newspaper research, though selective and incomplete, was crucial for gaining a deeper knowledge of this film’s local and regional underpinnings. The article also discusses the film’s 2002 restoration in light of its generic overlap, considering how genre-bound and genre-blind decisions resulted in a ‘new version’ and a ‘new original’ that sought to address a new set of concerns and scale configuration. It concludes that filmic genre has played (and continues to play) an active role in creating and sustaining social goals and relations in both silent filmmaking and film restoration projects.
Saúde e estilos de vida no ensino superior em Portugal
Publication . Silva, Pedro Alcântara da
A energia comunitária em construção – um caso de democracia em Portugal?
Publication . Ferreira, Vera
Portuguese cinema and its discontents: a view from the film archive
Publication . Sampaio, Sofia
The article revisits the main arguments and underlying premises of the protracted debate on ‘national art cinema’ that has shaped Portuguese film studies for many decades. Drawing on international scholarly work on national cinemas and on my own experience as a researcher in the National Archive of the Moving Images (ANIM) of the Portuguese Cinematheque (Cinemateca Portuguesa – Museu do Cinema), I argue for a definition of ‘Portuguese cinema’ that takes into account the vast collections of non-fiction films that have been excluded from this debate. My proposal entails a shift away from prescriptive to descriptive understandings of Portuguese cinema, thus recognising its diversity, in the past as well as in the present. I therefore endorse a conception of national cinema that takes heed of wider and deeper historical processes, international ‘constellations’ and other (often contested or unacknowledged) traditions and practices. The argument builds on the analysis of Adriano Ramos Pinto – Vinho do Porto (attributed title), a short non-fiction utility film made in the late 1930s that belongs to ANIM’s holdings.
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Entidade financiadora
Fundação para a Ciência e a Tecnologia
Programa de financiamento
Concurso para Atribuição do Estatuto e Financiamento de Laboratórios Associados (LA)
Número da atribuição
LA/P/0051/2020